Hand Piecing Workshops!

Although I’ve been quiet on a daily dose, I’ve been working! It’s been a year full of deadlines for classes and workshops. All things that I wanted to do, but it’s kept me very, very busy.

I finally got myself in gear and offered two Summer workshops at Greenville Center for Creative Arts, where I volunteer. Much to my delight, I got enough students to run the class! I wasn’t at all sure – at present, most of the classes are of the fine art variety and who knew if anyone would be interested in making quilts.

The first workshop I offered was Hand Pieced Quilts – Grandmother’s Flower Garden. This will be no surprise to any of you who have been followers for a while – I love to sew hexies! I had a lot of samples and ideas and it was perhaps a bit much for the five women who hadn’t had much exposure to the world of quilting.

Olivia was a very enthusiastic sewer. She told us that she sewed a lot and enjoyed making dolls to sell. I am confident that she will get a throw made with the speed that she sews.

Sarah designed a very striking flower, didn’t she? It is fun to see how people put together fabrics.

The second workshop was Hand Pieced Quilts: 60 degree diamonds (or tumbling blocks or baby blocks). I have offered this before and wasn’t very enthusiastic about it. Though I like baby blocks, I’ve never enjoyed sewing them.

As I prepared for the class, I perused Pinterest and was reminded that a setting for 60 degree diamonds is called the Seven Sisters pattern. I noodled around with that and discovered that I really liked this version! (Perhaps because it makes a giant hexagon….)

Here is a starry, blocky setting for the diamonds. I like this variation as well.

Just about everything needed is included in my workshops. When working with new sewers, I don’t want them to have to run around and buy a lot of supplies. The quilt patterns I am offering are traditionally scrap quilts and goodness knows that I have a lot of fabrics! It’s been fun sharing my stash and seeing others incorporate the fabric in their own work.

I am very fond of holiday themed quilts so I was delighted to see that Shawn brought a Halloween selection to make baby blocks.

It’s been interesting to offer quilt classes to novices. In the past, I have taught in quilt stores and generally my students have had some sort of experience or exposure to quilting. Most of my students at the Art Center were very, very new! In the Grandmother’s Flower Garden class, I presented way too much material and I am learning to scale back what I initially present and see where the students want to go.

Next up; workshops that I hope to offer this Winter. ;-D

Sauder Village Rug Hooking Week – More Rugs!

There were shows within shows at Rug Hooking Week. Ellen Banker curated one dealing with words and I’d like to share some of those with you, as well as some of the many rugs in the show that included words.

This is one of my favorite Ellen rugs, called Lost Cow. Can’t you just see that hanging in a bookstore or coffee shop?

Another Ellen favorite – A Rug Hooker’s Sampler. What a fun idea to make each letter a separate design. I also really like the asymmetry of it.

This rug, which Ellen brought to class, was particularly intriguing to me. You can see Baltimore hooked quietly into the background, but do you also see that Baltimore refers to the designs? The rug is made up of bits of Baltimore Album quilt patterns. I just love this idea and may have to steal it one day.

I am always a sucker for a sheep! Marian Hall designed and hooked this wonderful sheep rug, entitled Herdwick Tup. She also dyed to wools for it, and was our official wool supplier in class.

Ellen and Marian designed this magnificent rug together, Speaking Shakespeare. That is a lot of small script in narrow wools to hook, and it is done beautifully.

You may remember that I took a class some years ago with Donna Hrkman. She designs and hooks the most amazing rugs! They are often monochromatic and usually include words. I happened to run into her at the show and she said that she had finished this incredible rugs just days before she needed to deliver it.

Donna had so much to say about this rug, which is called Best Friends, that here are her words: (And isn’t the Dayton Public Library lucky?)

This concludes my reports from Sauder Village Rug Hooking Week! I hope you enjoyed seeing it through my eyes.

Sauder Village Rug Hooking Week – the class!

Though I love looking at hooked rugs, Archbold OH is a long way to drive. Several years ago I went to Sauder Village and took some workshops. I’ve been hoping ever since to find a class I liked and was delighted to see this one by Ellen Banker – The Unconventional Rug Hookers Guide to Samplers. If you read Rug Hooking Magazine, you have seen her work and read her articles. I’m a big fan so I got signed up.

As part of the class, all the hookers {I know many of you are smiling…} got a sampler to practise on. Ellen demonstrated a variety of techniques and then we hooked them on our sampler. Another project to be continued…

For the next part of the class, we could work on a design of our own or use one of three sampler designs offered by Ellen. Most of us decided to work on an Ellen Sampler. {Though I do have a sampler design, I thought it best to work on Ellen’s and play with mine another time.} Here is one of Ellen’s sampler designs….No. 10. I debated getting this one as I very much like the big carrot and the bunnies. Aren’t the carrots delicious looking?

But in the end, I chose Sampler No. 3 because I like the flower pot and all of Ellen’s quirky birds. I’ve been trying to hook a bit each day and have been playing with the flowers and stems and leaves. The birds are under design review right now. There is a lot of background and I am also wondering if I might add a border. I have done lots of counted cross stitch samplers and they usually have a border. {Less background to hook!}

Should you be interested, Ellen has written a book, Hooked on Words.

As well as a how-to guide, it’s filled with wonderful and quirky samplers she has made. She also researched rugs hooked by other artists and so many inspiring examples are included. An interesting rug often has a story behind it and Hooked on Words is a good read!

Sauder Village Rug Hooking Week – the show!

Wow! What a great time I had at the epicenter of rug hooking last week at Sauder Village. Classes, rugs, wool, fun people, rugs and more rugs….

The show was wonderful and full of all sorts of mini shows and exhibits. Let’s start with a rug I was DElighted to see in person – – – The Conspiracy by Marion Sachs. I’d seen it in print but nothing compares to viewing the real rug. The rug is adapted from a painting by David Galchutt. Do check out his website to see more incredible work.

The Royal Couple was designed by Pris Butler and masterfully hooked by Sibyl Osicka. I’m not sure which tickled me most – the authenticity and realistic hooking, or the fact that she hooked sheep faces!

And isn’t this rug charming? Gypsy Mice was also hooked by Sibyl Osicka and designed by Pris Butler from a painting by David Galchutt! He must be the new darling of the rug hookers and with good reason.

Alexander and Stuart was designed and hooked by Patricia Merikallio. I am really drawn to the colors and the wonderful paisley border. Patricia said in her description that she started with a painting from 1810, substituted her granddaughter’s face and added Stuart the cat.

Off the track of antique-looking rugs, here are two travel ones. I adore this one – the colors, the car, the maps! I’m sure many of us remember these days… (We had a station wagon and I as the littlest sat on “the hump”.) The rug is called Red Lodge and was designed and hooked by Anne Bond of Visions of Ewe.

The second travel rug is by Shawn Niemeyer who designed and hooked Life is a Beautiful Ride. The rug has such rich colors and the circles all along the border are a fun touch, and probably not very easy to finish!

I will end with this rug, terrifically different from the previous rugs. There were so many different sorts of designs to admire in the show.  Martha Rosenfeld created Cafe Shadows. It seems quite elegant to me.

Hope you enjoyed a few of my favorite rugs. I’ll be back with more of my week in Ohio with the other hookers….

 

A Shawl or Table Runners?

Those of you who are weavers will groan, at my ________________ (stupidity, naiveté’, lunacy, you choose). Perhaps even those of you who don’t will understand why my latest weaving project was a recipe for disaster! 

The Greenville Center for Creative Arts where I volunteer and teach, has a members’ show each year. Last year I submitted a little framed quilt. This year, I decided I would like to submit a handwoven shawl; a lovely lacy one for Summer in the South. Much to my delight, in the May/June issue of Handwoven magazine (which I probably got in April…) I found a project that was perfect for my needs – a Swedish Lace shawl! (It’s what I call a recipe, with all the math and details spelled out.) When weaving was all I did, Swedish lace was one of my favorite pattern families.

Notice the date of said article – – – did I start the project back then? No, I did not. A few weeks passed and I decided that perhaps I should get going. (Part two of the fiasco begins here!) I have a lot of cones of yarn from decades ago that I keep moving around and I decided to use those. After all this time, the labels had fallen off and who knew what the ply was or the fiber content. I thought I’d use a smooth mystery fiber for the warp, it looked about the right size, and weave with the tiny boucle’ mystery fiber.

If you read my posts, you know that I have only woven rag runners for years and years. No threading issues with those; it’s one – two – three – four – repeat. There’s a lot more to a Swedish Lace weave. After the warp was wound on, I drew out the threading on a piece of graph paper. Then I began to thread. There were 330 ends to thread, and then I had to get them 2 per dent in a 10 dent reed. I was so careful!!! I really was.

Of course there were endless mistakes, despite the fact that I was so deliberate. I spent the better part of two days finding and correcting them. Finally everything was as it should have been and happily the tension seemed great and so I started to sample. The tiny boucle’ did not work! I was surprised and disappointed. It was just fuzzy enough that the pattern didn’t show. I tried an even teenier one with the same result. In eyeing the cone of the mystery smooth warp thread, I decided that I had enough of that to use…

Everything went smoothly for several days. And then (yippee!) I finished the first shawl. The deadline for my entry was looming so I decided that I should cut the first shawl off and re-tie the warp for the second shawl. I wanted to make sure that I was happy with the result. (Gizmo was!)

I was not. At first, when I tied the fringe and wrapped it around me, I was ever so happy.

Then I hand washed it several times to get the many years of dust off it and make sure that the fabric would be smooth.

I dried it. I pressed it. And then I wrapped it around the mannequin that I planned to display it on.

I wandered around it. I re-wrapped it. I tried draping it a different way. But still, the lovely lacy shawl of my dreams looked like a hand towel. Or a table runner. Or perhaps napkins? Cotton always blooms when washed and the feel of the fabric had completely changed.

The end of this tale is that I did not submit anything to the show and I am very sorry. The rest of the warp on the loom awaits my decision on how to proceed. The picture below shows what I thought this shawl should be like. It’s the 5 yards of Swedish Lace that I wove when I was a student at the Worcester Center for Crafts. It’s fabulous. The weave is perfect and the warp is a fine, crisp linen. It’s airy and light, wonderfully etherial and drapes beautifully. I can hardly believe that I wove it.

It’s the shawl of my dreams….

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My Design Wall is Full!

Here is what my design wall looks like today! There is a lot going on…

The right hand side has to do with my two upcoming workshops at Greenville Center for Creative Arts. The first, covering hexies and Grandmother’s Flower Garden is on Saturday. Six pointed stars is in July. Click here to get more info.

At the top right, you can see a quilt emerging, made up of (hand pieced) half hexagons. There are many ways to sew them together, but this is by far my favorite. It’s such a strong graphic design. The two plain colored areas in each block are my hand dyed fabrics and I have them strewn all over the floor as I pick them out.

The black stars in the middle are six pointed stars hand pieced in a Seven Sister sort of design. Below them is a pattern, first published in Godey’s Ladies Book in the mid 1800’s, called bricks. It is also a 60 degree diamond, but the “sides” of the brick shape are elongated.

The left hand side of the board is devoted to a deconstructed lone star. Using Moda precut fabrics, I have cut out stacks of 2.5″ x 5.5″ fabrics to sew on a Quiltsmart base. I hope to be giving a talk about how to make this amazing design at Island Quilters this Fall. Lots more coming about this project!

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Wonderful Quilters

Friday was such a fun day. Each Summer the North Carolina Quilt Symposium is held somewhere in the state. This year it was in Asheville so I made a date with a friend/quilter to attend for the day.

We went to a few quilt stores on our way north and after a yummy lunch, found our way to the UNC Asheville campus. This year they had an amazing group of teachers who each brought 3 or 4 quilts to hang with the participants’ quilts. When we paid our entrance fee, we were given a plastic glove so that we could look at the back of the quilts. To be able to see the quilts very close and check out the amazing quilting on the back was such a treat! Here are some of my favorites…

Susan Cleveland:

Though I took a class with her some years ago, it must have been before I started blogging. In any case, it was her Piping Hot Bindings workshop. She is an excellent (and fun!) instructor. If you have made bindings on quilts, you can understand that a teacher has to give very simple and clear directions for everyone to understand and be successful! This quilt, Flowered and Feathered Frenzy, is full of wonderful details showcasing her class content. There is a double binding around the wonky edges. There is both machine and hand quilting; the hand quilting she calls her “Morse Code” technique.

I was quite taken by these embroidered circles. And I love the color! I had just been complaining to my friend about all the dull grey quilts that everyone seems to like now. She pointed out that Susan’s quilt was grey. It is indeed, but the colors she used are brights – not the colors with grey added. It’s just wonderful.

Melinda Bula:

You may remember that I took a class with her to make her wonderful zinnia quilt. I can’t say enough about her stunning quilts and easy-going manner in the classroom. Looking at Waratah on the computer screen, I am struck by its beautiful graphic quality. In person you see her layers and layers of machine quilting and the lovely hand dyed fabrics that she often uses.

And her Monet in Pasadena. It was a hot day in Asheville and I wanted to swim among the lily pads.

Lea McComas:

I believe I saw this quilt in a magazine and I was delighted to be able to see it up close and personal. Bike Boys is amazing – Lea used 114 threads which added up to 8 miles of stitching.

This ad below was her inspiration! This is also a good shot to see her thread painting. Can you see how thick it is?

Barbara Olson:

I have seen Barbara Olson’s quilts many times at various quilt shows. Her work is constantly evolving and I was really struck by Life Unfolding. Do click on the picture to see the amazing detail, fabrics, colors and stitching!

And her Peacock Flower. (The Guild labeled this Stroke of Blue but on her website it is called Peacock Flower.) Talk about juicy color…

What is it about seeing art or fine craft in person? I feel refreshed and energized. I hope you do as well!

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Dyeing with Friends

I have been volunteering at Greenville Center for Creative Arts for a few months. They have gallery space and offer classes and host studio artists. When I volunteer, I sit at the front desk mulling over proposing some classes. I love teaching and sharing and getting to know creative souls and I haven’t done much of that since we moved to South Carolina. This Summer I am offering two quilting workshops (and crossing my fingers that they fill!). Another class idea that I had was teaching shibori dyeing. It’s so much fun to do and quite “trendy” now in home dec and even clothing. After a lot of thought, I asked some neighborhood friends to be my guinea pigs and help me decide whether teaching a shibori class was feasible. (I offered one many years ago at a craft fair and did remember that it was a lot of work…)

The class idea was to dye 6 napkins, each trying out a different shibori technique. I knew that this class could not be for many students; dyeing takes lots of water and space to dump dye buckets and the venue where I want to teach has limited sinks. Here are some of the supplies I’d need to take – only some of the junk that makes shibori dyeing so fun.

When teaching a class like this, there are so many variables. The main one is how long each person takes to complete the tying or clamping or sewing of their piece. And that’s the creative part – they shouldn’t be rushed then. The actual dye time is set; it’s about an hour. I used to teach dyeing at my house in Illinois and the ladies would bring lunch and we’d eat and chat as the cloth sat in the dyebath. The class I would offer at The Art Center would cost a lot more and I’m not sure the participants would welcome “empty time”, which the dyeing time seems to be. Then there is rinsing and the super fun part – unwrapping the cloth and seeing the results – and then much more washing. My friends and I took so long that one woman had to leave as she had an appointment!

We did have a fun time and here are Gale’s napkins. Poor photo, but wonderful designs and color.

Cheri chose a blue green and had very nice results.

Debbie’s napkins turned out the best, as far as the dye color. They were a different weight from the others, looked to be mercerized and were woven in a twill pattern. Everything makes a difference when you’re dyeing.

Can you guess what I concluded???  I will not be teaching shibori… I’m disappointed but it’s way too much work and aggravation … I will keep hoping that the quilting workshops fill and dream up some less complicated ideas for the Fall session.

 

 

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The Finish of Nick & Two Tips!

 

Peter came in one day to check on Nick and started laughing. I was sitting at my desk area and asked what was so funny. He replied that I had better watch out for his crotch area… Of course everything would be trimmed when I completed the fusing, but it was funny nonetheless. You can see that I was auditioning two sets of eyes and wondering how bright should his nose be.

I fiddled around for a week or so and here is his final face…

Nick is very large (about 40″x40″) and he hung over the edges of the office table that I use in the studio to work on. To do the final fusing and cut him out, I used the dining room table. Here he is cut out and ready to glue (!) on the background fabric.

Marking lines for machine quilting was no picnic! Every resourceful quilter knows to tape rulers together to get the lengths they need. (Tip #1) – I very much like the washable blue marker, but it was a mistake in this case. I was not able to immerse the quilt in water and I spritzed and spritzed with water to get the blue out. I did it so much that the red fabrics started to bleed!

I have mentioned this tool before, but it bears repeating! (Tip #2) – here I am quilting straight lines using my Sweet 16. I have practised holding a ruler with my left hand and moving the fabric with my right and inevitably the ruler shifts and I go off track. Jenny of QuiltSkipper recommended this Line Tamer Template by FourPawsQuilting, and it works so well.

Here is Nick on the wall of Island Quilters, next to his relative, Ebba.

I took Nick’s portrait before I sent him off to Island Quilters. I am looking forward to seeing him hang over our mantlepiece next December!

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MERRY CHRISTMAS!

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A Dyed Garment – Ripped From the Catalogs!

I have been doing some dyeing, over the last few days and having lots of fun. Many of the projects I worked on did not come out as I had hoped, but this knit top “ripped from a catalog” is a winner. I had some ideas about what to do with a knit top I bought from Dharma Trading Company, but when I flipped through a catalog the other night, I found the perfect (and perfectly simple) design. I’ve been working on some examples of shibori and tie dye for the neighborhood ladies’ craft group. Tie dyeing is loads of fun, but perhaps not so wearable for us older ladies… Shibori techniques, on the other hand, can be quite elegant and examples of them are in all sorts of stores. This pattern is so easy; it’s the classic spiderweb (perhaps called kumo in Japanese?) and I always enjoy it. Here it is all tied up.

And here is the front….

And a side view…

And the back.

The color couldn’t have been simpler! It’s PRO Chem MX Fuchsia 308. I dribbled it into the pan until I liked the tint and submerged the t-shirt. The fact that it looks so nice on my mannequin means it won’t fit me now (she’s a size 10) but it’s a good Summer goal for me. ;-D